Tuesday, May 12, 2015

40 Music Production Tips I Wish I Knew When I Started



Dear Rising Stars,
The year is 2015. I … well you, are older.
In time, you’ll release two original EP’s on iTunes. You’ll get a remix and an original release published on Amazon. You’ll compose, arrange, and produce hundreds of tracks.
You’ll use Kickstarter to create two successful albums and print physical copies. You’ll have people commenting on YouTube how much they like your music. You’ll love your music.
You’ll hate your music. You’ll continue to struggle with self doubt but with better finesse. The ebb and flow doesn’t ever leave.
As you listen in amazement and wonder to “The Blast Off” by WSGZ in your new headphones — which you’ll use for over five years — I want you to take heed of what I’ve learned over time.
Here’s 40 tips I wish I knew when I started producing:
—-
1. Trust your taste. In other words, don’t second guess yourself. Who are you doing this for anyway?
2. Stop crapping on popular music for your ego. You can learn from anything. In fact, it’s wise to learn from music that millions listen to.
3. Using loops doesn’t make you a “fake” artist. It’s the end product that counts. Look at the gaming industry. Do you know how many of them use Unity? Or Unreal? What matters is the game. What matters is the music.
4. Same goes with samples.
5. Having a beverage while you produce will make the process much more fluid.Arguably it’s the caffeine. Arguably it’s having something to reach for in between empty moments.
6. Get a nice pair of headphones or monitors ASAP. Frequency response is important. Bass is important.
7. Mixing is not mysterious judo. Go ahead and mix. Make bad mixes. Eventually, you’ll make good mixes.
8. Mastering is not mysterious judo. Go ahead and master. Make bad masters. Eventually, you’ll make good masters.
9. Buy a quality sample pack as soon as possible. Here are some quality packs incuding a free one.
10. Let music you don’t like or understand warm up to you. Chances are you’ll dig it once it’s familiar.
11. Repetition is important and minimalism is key but don’t use these as an excuse to ignore that last 20% of polish. Give your tracks that spit shine sheen.
12. No one cares until they do. Work on your craft and put it out.
13. If there’s no market for your work they may never care. Do you care?
14. If you don’t enjoy listening to your music you’re doing something wrong (or working for hire).
15. Start building a reliable way to connect with people who want your music. Email list is a good idea.
16. Free shouldn’t literally mean free. Give it out for a purpose. Facebook likes? SoundCloud followers? Email subscribers?
17. Think about where people will listen to your music. What is the setting? This should inform your production.
18. Think about what people will listen to your music. Who are they? This should inform your production.
19. Don’t resist learning music theory. Music theory is a map. You can navigate without it but it’s handy to have.
20. Don’t compare yourself too much to professional artists. Especially not early on.
21. DO aim for the quality of these pro artists. But again, do not let them stunt you.
22. You’ll reach a point where your music is actually on par with professionals and you’ll only recognize it looking back.
23. It doesn’t matter what DAW you use.
24. The final production is what matters — not how it’s made.
25. I repeat. The final production is what matters — not how it’s made.
26. Don’t ever make excuses with regards to tools. You can make amazing music with 100% free software. Remember that $400 you spent on synths that producers was known to use? You’ll use those for about two songs.
27. New tools do provide opportunities for new directions. Spice up your production once in a while by acquiring a new plugin, sample pack, or instrument.
28. You know that guitar you’ve played for half your life? Stop pretending you don’t want to use it and get an interface. I recommend this one.
29. Invest in a solid microphone to go with that interface. I recommend this one.
30. There are four tiers of audio equipment.
  1. Cheap
  2. Solid enough for pro use. Consumer level pricing.
  3. “Pro” which is marginally better than number 2.
  4. Expensive.
Tier two is good enough. Ignore the rest. When you make a living off of music you can splurge.
31. Never get angry or upset at change. People who yell about the music industry crumbling or that streaming is taking over the world are exhibiting resistance. Accept the world for what it is and look for opportunities. The obstacle is the way.
32. Deadmau5 began his production journey around age 16. He exploded 14 years later. Mostly because of market conditions. Kaskade’s “active years” according to Wikipedia begin in 1989. Aim for the slow burn not overnight success.
33. Start building up a following now. Fan by fan. Never forget the power of one more fan. One more listener. One more email subscriber.
34. You don’t need a million twitter followers to be a success. All you need is one thousand true fans. This may not literally be one thousand.
35. Treat your music promotion like a boot-strapped blog. It’s surprisingly analogous.
36. Your side project of writing and your eventual day job as a game designer will provide incredible perspective on making art. This will inform your music. Vary yourself.
37. Compression is overrated.
38. EQ is overrated.
*Clarification: Compression and EQ are nothing more than hammers in your toolbox. Learn how to wield them. Use them to get the job done.
39. In fact, most technical aspects of production are overrated. Focus on the emotion and the energy. You’ll write a book about this.
40. If you’re sitting on unreleased music for two or more years consider licensing it. Sell the beats. Do something with it. Chances are you’ll just sit on them anyway.
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